Grand, centuries-old cathedrals distinguish Great Britain’s cities and towns, providing spiritual nourishment to those who visit. These places of worship seem ancient almost beyond imagination. But long before Gothic cathedrals…long before recorded history even, Britain’s stone circles were this land’s sacred spots. Stonehenge is the most famous of these — and has a new visitors center to serve nearly one million annual sightseers. As old as the pyramids, this site amazed medieval Europeans, who figured it was built by a race of giants. Archaeologists think some of these stones came from South Wales — 150 miles away — probably rafted then rolled on logs by Bronze Age people. Most believe stone circles functioned as celestial calendars, and even after five thousand years Stonehenge still works as one. As the sun rises on the summer solstice (June 21), the “heel stone” — the one set apart from the rest — lines up with the sun and the altar at the circle’s center. With the summer solstice sun appearing in just the right slot, prehistoric locals could …
While much of Europe was consumed by social disarray in the centuries following the collapse of the Western Roman Empire in 476 CE, a remarkable golden age of scholasticism and artistic achievement began in Ireland. Untouched by centuries of Roman rule, Ireland retained an ancient cohesive society characterized by rural monastic settlements rather than urban centers. From c. 400-1000 CE — an era more popularly known as the “Age of Saints and Scholars” — Irish missionaries spread Christianity, bringing monastery schools to Scotland, England, France, the Netherlands, and Germany. In doing so, they also transmitted a new, effervescent style of art throughout western Europe: Insular art. In this exclusive interview, James Blake Wiener of Ancient History Encyclopedia (AHE) speaks to Dr. Dorothy Hoogland Verkerk, Associate Professor of Art History at University of North Carolina at Chapel Hill, about the astonishing history of Insular art.
The ancient Picts of northern and eastern Scotland were as enigmatic to their contemporaneous neighbors as they are to modern-day scholars. Nevertheless, despite the shadowy and wild stereotypes that still abound in popular imagination, recent archaeological excavations across Scotland have revealed astonishing works of art, impressive fortifications, and evidence of strong links with continental Europe. In this exclusive interview with the Ancient History Encyclopedia, James Blake Wiener speaks to Dr. Gordon Noble, an archaeologist and professor at Aberdeen University, about these recent archaeological discoveries and how we should best understand the Picts in the history of ancient Britain.
It gives us great pleasure to welcome Ms. Susan Abernethy, manager of The Freelance History Writer, to Ancient History Encyclopedia as our first guest blogger. AHE’s “AHEtc. blog” will function as a place where ideas and experiences can be shared casually by those interested in all things “ancient.” We hope you enjoy it! Scota: Mother of the Scottish People An ardent, lifelong passion for history compelled me recently to start researching and writing on various historical topics. Curiosity, along with the presence of certain books in my library, led me to look into the history of Scotland. Scottish history is chock full of fascinating stories and quaint legends. Surprisingly, I discovered that the founding, mythical ancestor of the Scottish people was a woman named Scota, daughter of an Egyptian pharaoh and wife of a Greek prince, whose story may be based on actual events as borne out by DNA evidence.