In an effort to share more of our favourite ancient objects from around the world, Ancient History Encyclopedia staff have taken a closer look at some really amazing objects or structures. Today’s Object in Focus is the Meroe Head of Augustus.
Stretching from the beaches of the Adriatic Sea to the banks of the Indus River, Alexander the Great’s empire was the largest the world had ever seen when he died in 323 BCE. His empire broke into several smaller kingdoms soon after, but his enduring legacy can be found in signs of Hellenistic cultural diffusion in ancient artifacts that survive today. The Metropolitan Museum of Art’s latest exhibition, Pergamon and the Hellenistic Kingdoms of the Ancient World, is a testament to this cultural interaction and the footprint Alexander left in history far beyond what his imagination could have conceived.
Today we have another contribution from Timeless Travels Magazine in which Nicholas Kropacek discusses the new Sanliurfa museum in Turkey. In short, Sanliurfa (often called Urfa) is a city with such a magnificent and tumultuous history that one would have thought that it must have had a large and important world-class museum. But it didn’t, at least not until now. The old Urfa museum was a small, modest building on two floors and with a small sculpture garden having room for a mere 500 or so exhibits. But what has been taking shape in Urfa’s central Haleplibahçe district over the past two years has been something of an entirely different order and will accommodate at least 10,000 items.
Power and Pathos: Bronze Sculpture of the Hellenistic World underscores the power, prestige, and pre-eminence of ancient sculpture during the Hellenistic Era. This blockbuster show, which opened at the Palazzo Strozzi in Florence, Italy this spring, is the first major international exhibition to assemble nearly 50 ancient bronzes from the Mediterranean region and beyond in a single venue. Prized over the centuries for their innovative, realistic displays of physical power and emotional intensity, the sculptures of the Hellenistic world mark a key and important transition in art history. In this interview, Dr. James Bradburne, the recently departed Director General at the Palazzo Strozzi, introduces James Blake Wiener of Ancient History Encyclopedia (AHE) to the finer points of the exhibition.
