Photos, Travel

Our Ancient Cyprus Travel Guide

Lying at the crossroads of the eastern Mediterranean, the island of Cyprus has long been a meeting point for many of the world’s great civilizations. Situated where Europe, Asia and Africa meet, its location shaped its history of bringing civilizations together. Many powers conquered the island, and Cyprus was ruled in turn by the Hittites, the Egyptians, the Persians and the Greeks until it was absorbed by the Romans. Cyprus is also known as the “Island of Love”. According to mythology Aphrodite, the ancient Greek goddess of love and beauty, was born from the foam of the sea on the south-western coast of Cyprus.

With its impressive historical legacy, Cyprus is inevitably an archaeologist’s dream destination.

The earliest settlements in Cyprus appeared during the Neolithic era, around 7000-6000 BCE. With the development of copper between 3900 BCE and 2500 BCE, a flourishing trade brought wealth and prosperity to the island. Cyprus became a leading commercial centre between the Near East and the West. But the event that stamped permanently the life of Cyprus was the arrival of the Mycenaeans and the Achaeans between the 13th and 11th centuries BCE. They introduced their language, customs, culture and their arts and established new cities. The strategic location of Cyprus and its natural resources attracted the attention of many invaders.

The Greek geographer Strabo who visited Cyprus described the island in his Geographica (23 CE): “in excellence it falls behind no one of the islands, for it is rich in wine and oil, and uses home-grown wheat. There are mines of copper in plenty.”

Interactive Map of Ancient Sites

Interactive Map of Ancient Sites

Gradually the Greek city-states fell into the hands of the Assyrians (700 BCE), the Egyptians (565 BCE) and the Persians (546 BCE). Persian rule lasted until 332 BCE following the intervention of Alexander the Great and his victory at Tyre. After Alexander the Great’s death, Cyprus became part of Egypt under the rule of the Ptolemies. During the Hellenistic period, cultural life and the arts flourished. It was a time of important public works and the city of Pafos became the capital. In 58 BCE, Cyprus was annexed by Rome. The island was given the status of Province and a period of large public building projects began. The Roman period came to an end in the 4th century CE with the division of the Roman Empire and Cyprus became part of the Byzantine Empire with Christianity becoming the official religion. Other people would later take control of the island, the Franks, Venetians, Ottomans, the British, and currently the Turks in Northern Cyprus.

With this impressive historical legacy, Cyprus is inevitably an archaeologist’s dream destination. It has become famous for its archaeological sites and treasures, including three UNESCO World Heritage Sites. We have put together a list of the 5 archaeological sites to visit on the island of love.

Ancient Salamis

Once a thriving port city and an important Greek city-state on the eastern shore of Cyprus, Salamis offers a tantalizing glimpse into the vast history of the island. According to ancient Greek tradition, Salamis was founded after the Trojan War by the archer Teukros, son of King Telamon, who came from the island of Salamis, off the coast of Attica. Half-brother to the hero Ajax, Teukros was unable to return home from the war after failing to prevent his half-brother’s suicide, leading him to flee to Cyprus where he founded Salamis. Successively controlled by various dominant powers, Salamis served as the island’s main port and capital for a thousand years. The city saw great wealth and dominated the island until its near-destruction in the 4th century CE following a series of earthquakes. Most of the ruins we see today are from the Roman period. Set along the sea-shore, they cover an area over one kilometre long. Among the many impressive sights to be seen at Salamis are the gymnasium, the Roman baths, the theatre and the basilicas.

The gymnasium with its columned palaestra, Salamis

The gymnasium with its columned palaestra, Salamis

The gymnasium was devoted to the training of athletes. Its remains, with colonnaded courtyard and adjacent pools, allude to Salamis’ glory days. The vast exercise ground was destroyed by a number of earthquakes and was restored during the reign of Hadrian in the 2nd century CE as well as in the 4th century by the Byzantine emperor Constantius II who renamed the city Constantia. The visible remains of the gymnasium date from these two late restorations.

Marble pool at NE corner of the Gymnasium's portico surrounded by headless statues dating back to the 2nd century AD, Salamis

Marble pool at NE corner of the Gymnasium’s portico surrounded by headless statues dating back to the 2nd century CE, Salamis

The gymnasium had latrines. It was a semicircular colonnaded structure with seating for 44 people. They are the largest ever found in Cyprus.

The gymnasium's latrines, Salamis

The gymnasium’s latrines, Salamis

East of the gymnasium lies the bath complex with a sweating-room, marble-lined pools, cold and hot rooms and an exposed hypocaust (underfloor heating system). The building was decorated with stunning mythological-themed mosaics and frescoes. One mosaic depicts the slaying of the Niobids by Apollo and Artemis while another one represents the well-known legend of Leda and Zeus. A fresco depicts Hylas, the young friend of Hercules, and a water nymph. Like the gymnasium, the baths were rebuilt in Byzantine times.

The bath complex, Salamis

The bath complex, Salamis

Fresco in the bath complex depicting the myth of Hylas and the water nymphs, end of 3rd century AD, Salamis

Fresco in the bath complex depicting the myth of Hylas and the water nymphs, end of 3rd century CE, Salamis

Niche in one of the room of the bath complex decorated with polychrome wall-mosaics depicting Apolllo (in the centre) and Artemis (left) slaying the Niobids, end of 3rd century AD, Salamis

Niche in one of the room of the bath complex decorated with polychrome wall-mosaics depicting Apolllo (in the centre) and Artemis (left) slaying the Niobids, end of 3rd century CE, Salamis

The Roman theatre is another spectacular sight. Built during the reign of emperor Augustus, it originally held over 15,000 spectators. Much of it was destroyed by consecutive earthquakes and its stones were removed to provide building material for the Early Christian reconstructions of the gymnasium and the baths. The theatre has now been partially restored and occasionally hosts theatrical and other cultural performances during the summer.

The Roman theatre built during the reign of Augustus and completed during the years of Trajan and Hadrian, Salamis

The Roman theatre built during the reign of Augustus and completed during the years of Trajan and Hadrian, Salamis

The ruins of the Kambanopetra Basilica built in the 4th century CE occupy a magnificent position overlooking the sea. Originally it would have been an impressive complex with a large colonnaded rectangular courtyard with porticoes on all four sides, adjoining a three-aisled basilica.

The Kambanopetra Basilica, built in the 4th centuy AD, Salamis

The Kambanopetra Basilica, built in the 4th centuy CE, Salamis

For more than a thousand years Salamis lay buried beneath a thick layer of sand which helped preserve the city from looting and destruction.

Other notable sites around Salamis:

  • Enkomi (Alasia) was an important Bronze Age city dating back as far as 1800 BCE and an important trading centre for copper. The ruins of the site are located about two kilometres west of Salamis. Even though the site was looted several times over the centuries, some of Enkomi’s most important finds were unearthed in the early 20th century. The finds include two bronze statuettes dated to the early 12th century BCE (now in the Cyprus museum, see image here). The first one is the so-called “horned god” which depicts a deity portrayed as a young athlete wearing a horned helmet. The second statuette is the “ingot god”, a statue standing on a base in the form of a copper ingot. The god is represented bearded and wears a horned conical cap on his head. He is armed with a round shield and a spear. Other finds are part of the Greek & Roman Antiquities collection of the  British Museum (see online collection here). After an earthquake c. 1050 BCE, the site was abandoned, leaving an opening for the rise of Salamis.

Paphos Archaeological Site

Paphos is one of the island’s most mesmerising archaeological sites and the most accessible to visitors. Located in the resort of Paphos on the south-west coast of the island, Nea Pafos -as it was called in antiquity- is home to a treasure trove of some of the most lavish ancient mosaics in the world. Founded in the late 4th century BCE, Pafos became the capital of the island, replacing Salamis, during the Hellenistic and Roman eras. Now a UNESCO World Heritage Site, the site is a vast archaeological area with remains of four Roman villas, an odeon, an agora, an Asclepeion (a healing temple, sacred to the god Asclepius, the god of medicine) and royal tombs.

The House of Theseus, Paphos Archaeological Park, Cyprus

The House of Theseus, Paphos Archaeological Park

The city originally occupied an area of about 950,000 square metres and reached its zenith during the Antonine and Severan periods (second half of 2nd / early 3rd century CE). This is reflected by the number of opulent buildings, both public and private, which survive from this period. Like Salamis, Nea Pafos was severely damaged by earthquakes on several occasions and went into decline following the devastating earthquake of the 4th century CE. A chance discovery made in 1962 by a farmer ploughing his field has brought to light exquisite mosaics that decorated the floors of wealthy residences of the Roman period.

One of the most exquisite and best-preserved mosaics unearthed at the site is the round mosaic of Theseus and the Minotaur in the Villa of Theseus, named after the representation of the Athenian hero fighting the Cretan monster in the Labyrinth.

Mosaic floor depicting the mythical duel between Theseus and the Minotaur in the Labyrinth of Crete, House of Theseus, 3rd-4th century CE, Paphos Archaeological Park

The Villa of Theseus occupies an area of about 9600 square metres and so far more than 1400 square metres of mosaic pavement have been found within the building. With more than 100 rooms, the house is the largest residential structure on the island and one of the largest in the Mediterranean. It was the residence of the governor of Cyprus (proconsul). This house is still being excavated today.

The House of Theseus, Paphos Archaeological Park

The House of Theseus, Paphos Archaeological Park

The other mosaic to look for in the Villa of Theseus is the one depicting the Birth of Achilles. The hero lies in the arms of his mother Thetis who is shown in the centre lying on a bed. This part of the scene has been greatly damaged. Achilles is also shown sitting on the knees of his nurse who is preparing to dip the infant in a basin.

The House of Theseus, The first bath of Achilles mosaic, South Wing, Paphos Archaeological Park

The House of Theseus, The first bath of Achilles mosaic, 5th century CE, Paphos Archaeological Park

The most spectacular group of mosaics comes from the House of Dionysus. The building occupies an area of about 2000 square metres, of which 556 are covered with mosaic floors. The name given to the house is due to the central mosaic featuring Dionysus, the god of wine. Almost each mosaic has a mythological theme. On entering the house the first thing you see is a mosaic depicting Narcissus gazing at his own reflection as well as a mosaic with the personification of the four seasons.

Mosaic of Narcissus in the House of Dionysus, late 2nd/early 3rd century AD, Paphos Archaeological Park

Mosaic of Narcissus in the House of Dionysus, late 2nd/early 3rd century CE, Paphos Archaeological Park

The Four Seasons mosaic in the House of Dionysus, first half of the 3rd century AD, the seasons are represented in each of the four corners, Paphos Archaeological Park

The Four Seasons mosaic in the House of Dionysus, first half of the 3rd century CE, the seasons are represented in each of the four corners, Paphos Archaeological Park

Next to these two mosaics lies the oldest mosaic ever found in Cyprus. It dates to the Hellenistic period (late 4th / early 3rd century BCE) and represents the mythical sea-monster Scylla, part woman, part fish and part dog. Unlike later Roman mosaics, it is monochrome and made of pebbles.

The Scylla mosaic, pebble mosaic floor dating back to the Hellenistic period, late 4th / early 3rd century BC, House of Dionysus, Paphos Archaeological Park

The Scylla mosaic, pebble mosaic floor dating back to the Hellenistic period, late 4th / early 3rd century BCE, House of Dionysus, Paphos Archaeological Park

The Triumph of Dionysus and Phaedra and Hippolytus are among the most impressive mosaics in the house. The former depicts the triumphal return of the god from a military expedition to India from where he brought Indian slaves and panthers we see on the mosaic. The latter represents the tragic story of Phaedra and Hippolytus. The scene shows the moment after Hippolytus has received and read the love letter from his stepmother Phaedra. The fate of Phaedra and Hippolytus has been recounted by numerous playwrights throughout history.

The Triumph of Dionysus in the House of Dionysus, late 2nd / early 3rd century AD, Dionysus seats on a two-wheeled chariot, Paphos Archaeological Park

The Triumph of Dionysus in the House of Dionysus, late 2nd / early 3rd century CE, Dionysus sits on a two-wheeled chariot, Paphos Archaeological Park

Phaedra and Hippolytus in the House of Dionysus, late 2nd / early 3rd century AD, Paphos Archaeological Park

Phaedra and Hippolytus in the House of Dionysus, late 2nd / early 3rd century CE, Paphos Archaeological Park

Two other stunning mosaics in the House of Dionysus are the Rape of Ganymede and the Hunting scene mosaics.

The Rape of Ganymede mosaic in the House of Dionysus, the god Zeus having transformed into an eagle carries Ganymede away, late 2nd / early 3rd century AD, Paphos Archaeological Park

The Rape of Ganymede mosaic in the House of Dionysus, the god Zeus having transformed into an eagle carries Ganymede away, late 2nd / early 3rd century CE, Paphos Archaeological Park

The Hunting Scene mosaic in the House of Dionysus, late 2nd/early 3rd century AD, Paphos Archaeological Park

The Hunting Scene mosaic in the House of Dionysus, late 2nd/early 3rd century CE, Paphos Archaeological Park

The nearby covered House of Orpheus takes its name from the large mosaic panel depicting Orpheus seated on a rock and playing his lyre, charming the animals. Two other mosaics that decorated the house show Hercules and the Lion of Nemea and the Amazon, sadly both covered. Finally, the House of Aion is named after Aion, the god of eternal time, depicted in the mosaics. Only a small part of the building has been excavated. The uncovered rooms are decorated with exceptional geometric and figural mosaic floors. They include representations of Apollo, Cassiopeia, Hermes, Marsyas, Dionysus and various sea creatures.

A short walk away lie the Agora (forum), the Asclepeion and the Odeon where musical performances were held. These buildings constituted the heart of the ancient city.

The Odeon located in the northeastern part of the ancient city. Built in the 2nd century AD, it held approximately 1,200 spectators, Paphos Archaeological Park

The Odeon located in the northeastern part of the ancient city. Built entirely of limestone blocks in the 2nd century CE, it held approximately 1,200 spectators, Paphos Archaeological Park

In the foreground the Agora, the central square court of the city surrounded by colonnaded porticoes and dating from the middle of the 2nd century AD, in the background on the left is the Asclepeion, on the right the Odeon, Paphos Archaeological Park

In the foreground the Agora, the central square court of the city surrounded by colonnaded porticoes and dating from the middle of the 2nd century CE, in the background on the left is the Asclepeion, on the right the Odeon, Paphos Archaeological Park

The Tomb of the Kings

Heading slightly north along the coast beyond the old city walls of Paphos you will find the Tombs of the Kings. This fascinating archaeological site contains a set of remarkable underground tombs used by the residents of Nea Pafos during the Hellenistic and Roman periods (from the 3rd century BCE to the 3rd century CE). Eight tomb complexes have been opened for viewing.

Tombs of the Kings, Kato Pafos, Paphos

Tombs of the Kings, Kato Pafos, Paphos

Despite the name, the tombs were built when there were no more kings on Cyprus. The grandeur and magnificence of the tombs inspired the scholars of the second quarter of the 20th century to nickname the area “Tomb of the Kings”. Spread over a vast area covering 200,000 square metres, these impressive underground tombs were carved out of solid rock while some were decorated with Doric pillars. The burial complex contains over 100 tombs and is part of the World Heritage List together with the Pafos Archaeological Site. Prominent and wealthy citizens of Nea Pafos were buried there in pit-shaped tombs, chamber tombs and tombs with a colonnaded atrium.

Tomb No 5 with columned atrium, one of the largest tombs discovered in the necropolis covering an area of 390 square metres, Tombs of the Kings, Kato Pafos

Tomb No 5 with columned atrium, one of the largest tombs discovered in the necropolis covering an area of 390 square metres, Tombs of the Kings, Kato Pafos

Tomb No 6, the entrance is marked by a small cippus, Tombs of the Kings, Kato Pafos

Tomb No 6, the entrance is marked by a small cippus, Tombs of the Kings, Kato Pafos

Tomb No 3 with peristyle atrium surrounded on all sides by Doric columns and topped by a frieze of triglyphs and metopes, Tombs of the Kings, Kato Pafos

Tomb No 3 with peristyle atrium surrounded on all sides by Doric columns and topped by a frieze of triglyphs and metopes, Tombs of the Kings, Kato Pafos

Other notable sites in or near Paphos:

  • Panagia Chrysopolitissa is located just east of the Paphos archaeological park where you can take a fascinating walk around the foundations of a 4th century CE Christian basilica, the largest ever excavated in Cyprus. Several magnificent marble columns with Ionic and Corinthian capitals have been re-erected while others lie scattered around the site. The floor of the basilica was covered with colourful geometric mosaics, some of which are still preserved. To the western side of the basilica stands the so-called St Paul’s Pillar, where St Paul was allegedly flogged before he converted the Roman Governor, Sergius Paulus, to Christianity. (see images here)
  • The Sanctuary of Aphrodite (Palaepaphos) is located in the village of Kouklia, 14 kilometres east of Paphos. Palaepaphos was a city-kingdom of Cyprus and one of the most important religious centres of the ancient Greek world. Here stood the famous Sanctuary of Aphrodite, a large centre of worship established in the 12th century BCE. Already famous in the time of Homer who referred to the Goddess as Kipris (the “Cyprian”), the sanctuary remained the renowned cult place of Aphrodite until the 4th century CE. Unfortunately all that is left of the sanctuary are its foundations and scattered columns (see images here). Palaepaphos is part of the Aphrodite’s Cultural Route which focuses on the archaeological sites dedicated to the ancient cult of Aphrodite.
  • Agios Georgios in Pegeia includes the ruins of three early Christian basilicas dating back to the 6th century CE with lovely mosaic floors depicting animals and sea-creatures. Located near the village of Pegeia, 18 kilometres north of Paphos along the coast of Cape Drepano, it was the site of a late Roman and early Byzantine town and important harbour. (see images here)

Kourion

Sitting on top of a cliff overlooking the Mediterranean stands the remains of the best-preserved Greco-Roman city of Southern Cyprus, Kourion (or Curium in Latin). According to legend, the ancient city of Kourion was founded by Achaean colonists from Argos in the Peloponnese. Systematic excavations have revealed that the city became an major settlement in the 13th century BCE when Mycenaean colonists settled there. The city prospered under the Ptolemies and the Romans and became an important cultural and religious centre with the nearby Sanctuary of Apollo Ylatis. Christianity started to be established at Kourion by the beginning of the 3rd century CE and eventually supplanted Apollo.

Overview of Kourion

Overview of Kourion

Kourion, like all other coastal cities of the island, was ruined by the disastrous earthquakes of the late 4th century CE. The city was rebuilt at the beginning of the 5th century before it was entirely destroyed by fire during the Arab raids of the 7th century CE. Kourion declined and was finally abandoned, its inhabitants having moved to a new site two kilometres to the east (the modern village of Episkopi). Kourion was not rediscovered until 1820 while systematic excavations began in 1934.

The excavated remains at Kourion lie about 19 km west of Limassol on the road to Paphos. Visitors can wander around impressive ruins such as the theatre, the House of Eustolios, the Early Christian Basilica, the Forum, the public baths and other houses with fascinating mosaics. Apart from the basilica and the House of Eustolios, all the other buildings belong to the Roman period.

The Roman theatre, Kourion

The Roman theatre, Kourion

The tour of the archaeological site begins with the theatre which enjoys a magnificent location overlooking the sea. The original theatre was probably constructed around the end of the 2nd century BCE and was relatively small. It was later radically remodelled during the time of emperor Nero (50-75 CE) as well as in the beginning of 2nd century CE after the earthquake of 76 CE. It could accommodate an audience of approximately 3500 people.

During the reign of emperor Caracalla (214-217 CE), the theatrical performances gave way to the popular gladiatorial games and the theatre was mostly used as an arena. At the end of the 3rd century CE, the spectacle of fights declined in popularity and the theatre regained its original character. It was destroyed and finally abandoned in the late 4th century CE. The stage building (scaenae frons) is preserved only in its foundations. The theatre we see today is the result of reconstruction work in the middle of the last century. Nowadays it is used for open air performances and is one of the venue of the International Festival of Ancient Greek Drama.

The Roman theatre, Kourion

The Roman theatre, Kourion

Next to the theatre are the remains of the House of Eustolios, a palatial residence built in the early Christian period over the ruins of an earlier house dating to the early Roman era. Some 30 rooms are arranged around two interior courtyards with a bathing complex. The majority of the rooms are paved with colourful and mosaic pavements, with many carrying early Christian symbols. The building complex we see today is the result of extensive modelling during the last years of rule of the Emperor Theodosius II (408-450 CE). A mosaic with a welcoming inscription graces the entrance with the phrase: “Enter for the good luck of the house”.

Mosaic with a welcoming inscription graces the entrance with the phrase: “Enter for the good luck of the house”, House of Eustolios, Kourion

Mosaic with a welcoming inscription graces the entrance with the phrase: “Enter for the good luck of the house”, House of Eustolios, Kourion

Another notable mosaic panel within the house is the one with a bust of a young woman in a medallion holding a measuring tool in her right hand equivalent to a Roman foot. The head of the woman is surrounded by a Greek inscription which identifies her as Ktisis, the personification of Creation.

Byzantine mosaic emblema in the House of Eustolios depicting a young woman in a medallion holding a measuring instrument equating of a Roman foot, the Greek inscription identifies her as Ktisis, the personification of Creation, Kourion

Byzantine mosaic emblema in the House of Eustolios depicting a young woman in a medallion holding a measuring instrument equating of a Roman foot, the Greek inscription identifies her as Ktisis, the personification of Creation, Kourion

A short walk away from the theatre and the House of Eustolios lies the Early Christian Basilica which is located at the top of the southeastern cliffs overlooking the sea. Dating to the beginning of the 5th century CE, it is one of the most important Early Christian monuments on the Island. Its foundations show the existence of a baptistery, a narthex, a chapel, a diaconicon where objects used in the services were stored as well as various other rooms. Mosaic floor panels and floor inscriptions are visible among the ruins.

The Early Christian Basilica dating to the beginning of the 5th century AD, Kourion

The ruins of the Early Christian Basilica overlooking the sea, Kourion

The ruins of the Early Christian Basilica overlooking the sea, Kourion

The ruins of the Early Christian Basilica overlooking the sea, Kourion

Adjacent to the Early Christian Basilica are the remains of the Roman Forum as well as two bath complexes and a nympheaum. The Forum was a monumental colonnaded public building serving as a market-place and meeting-place.

The remains of the portico of the Roman Forum with unfluted columns and Corinthian capitals dating to the Severan era (193-235 AD), Kourion

The remains of the portico of the Roman Forum with unfluted columns and Corinthian capitals dating to the Severan era (193-235 CE), Kourion

The tepidarium (warm room) and the caldarium (hot room) of the public baths, Kourion

The tepidarium (warm room) and the caldarium (hot room) of the public baths, Kourion

At the northwestern extremity of the site are the remains of two luxurious private houses. The first one is the House of Gladiators, so called because of its two mosaic panels depicting gladiators armed with daggers, shields and helmets and fighting in pairs. The north panel represents two gladiators facing each other and ready for the fight. Above their heads are their names in Greek: MAPΓAPEITHΣ – Margarites and EΛΛHNICOS – Hellenikos.

Mosaic depicting two gladiators in combat, their names in Greek listed above: Margarites (left) and Hellenikos (right), late-3rd century AD, House of the Gladiators, Kourion

Mosaic depicting two gladiators in combat, their names in Greek listed above: Margarites (left) and Hellenikos (right), late-3rd century CE, House of the Gladiators, Kourion

The other mosaic panel depicts two armed gladiators in attacking positions and a third figure between them who is the referee. The gladiator on the left who is named ΛΥTPAΣ -Lydras- is about to kill his opponent with a dagger but the referee ΔAPEIOΣ -Darios- intervenes and prevents Lydras’ attempt by terminating the combat.

Mosaic depicting gladiators being separated by a referee, late-3rd century AD, House of the Gladiators, Kourion

Mosaic depicting gladiators being separated by a referee, late-3rd century CE, House of the Gladiators, Kourion

The second house is the House of Achilles where a fragment of a mosaic composition depicting the unmasking of Achilles has survived. The scene portrays Achilles meeting with Odysseus in Lykomedes’ house on the Greek island of Skyros where Achilles, disguised as a girl, was sent by his mother to avoid his participation in the Trojan war.

Mosaic floor depicting the unmasking of Achilles by Odysseus on the island of Skyros, 4th century AD, Kourion

Mosaic floor depicting the unmasking of Achilles by Odysseus on the island of Skyros, 4th century CE, Kourion

Other notable places in or around Kourion:

  • The Sanctuary of Apollo Hylates, located west of the archaeological site of Kourion, is the largest religious center on the island where Apollo was worshipped as the god of the woodlands. The sanctuary was established in the 8th century BCE and was used continuously until the 4th century CE. Covering an area of more than 15,000 square metres, the remains of the sanctuary consist of the Temple of Apollo, the priests’ quarters, the baths, the palaestra where athletic games used to take place and a long colonnaded stoa. (see images here)
  • The stadium of Kourion is located between the archaeological site of Kourion and the Sanctuary of Apollo Hylates. It was constructed during the rule of emperor Antoninus Pius in the 2nd century CE and was used for the sports of the Hellenic pentathlon like running, jumping, wrestling and throwing the discus or javelin. With seven rows of seats, the stadium of Kourion could accommodate around 6000 spectators. (see images here)

Amathous

The remains of the ancient city of Amathous are located on the south coast of the island, about 11 kilometres east of Limassol. They cover a large area on top of a hill and on the slopes reaching the Mediterranean sea to the south. Amathous was one of Cyprus’ four ancient kingdoms with Salamis, Soli and Pafos. Founded in the 11th century BCE, the city had an unbroken history of settlement until the 7th century CE when it was gradually abandoned following the Arab raids. Amathous is also the other great site dedicated to Aphrodite (after Palaepaphos) where remains of sanctuaries and temples of the goddess can still be seen. The Roman Temple of Aphrodite, built over the ruins of a former temple from the Hellenistic era, occupies a large part of the acropolis.

The Acropolis and the Temple of Aphrodite dating approximately to the 1st century BC, Amathous

The Acropolis and the Temple of Aphrodite dating approximately to the 1st century BCE, Amathous

Before the Great Goddess of Cyprus was identified as Aphrodite in around 300 BCE, she appeared under the name of “Goddess of Paphos” or “The Lady” or simply “The Goddess”. From the 10th century BCE the Great Goddess, under the influence of the Minoans, was represented with raised arms. She was later assimilated with the Phoenician goddess Astarte as well as with the Egyptian goddess Hathor.

Terracotta female figure, ca. 950–750 BCE.
Cypriot, Cypro-Geometric II–III
The Metropolitan Museum of Art, New York

Terracotta figurine of the goddess Astarte, ca. 600–480 B.C., Cypriot, The Metropolitan Museum of Art

Terracotta figurine of the goddess Astarte, ca. 600–480 BCE, Cypriot
The Metropolitan Museum of Art, New York

Limestone stele (shaft) with the head of Hathor, 2nd quarter of the 6th century B.C., Cypriot The Metropolitan Museum of Art, New York http://www.metmuseum.org/collection/the-collection-online/search/242027

Limestone stele (shaft) with the head of Hathor, 2nd quarter of the 6th century BCE, Cypriot
The Metropolitan Museum of Art, New York

 

 

 

 

 

 

 

 

 

The Great Goddess of Cyprus was perhaps worshipped on the acropolis of the Amathous as early as the 11th century BCE. Traces of a sanctuary dating to the 8th century BCE have been found as well as two colossal stone vases of the 6th and 5th century BCE. What we see today are the remains of the Temple of Aphrodite (known locally as Aphrodite Amathousia) built in the 1st century CE on the site of previous temples dating to the Hellenistic period.

Copy of one of the monumental vases used as water containers for the religious rituals, Acropolis and the Temple of Aphrodite dating approximately to the 1st century BC, Amathous

Copy of one of the monumental vases used as water containers for the religious rituals, Acropolis and the Temple of Aphrodite dating approximately to the 1st century BCE, Amathous

The colossal stone vessels on the site are copies. They were used as monumental cisterns to supply water to the crowds of people who came to the temple. Water was needed for rituals, libations, and ablutions. The original of the most complete of the two vessels is on display in the Louvre in Paris.

Overview of the Agora and lower city from the Acropolis, Amathous, Cyprus

Overview of the Agora and lower city from the Acropolis, Amathous

The lower city lies between the acropolis and the sea. It was inhabited during the Hellenistic and Roman periods. An Agora, public baths, a fountain complex and a nymphaeum have been uncovered whilst the ruins of the harbour are preserved under the sea.

The Agora dating back to the Hellenistic period, it consisted of a large rectangular stone-paved area with porticoes on four sides, Amathus

The Agora dating back to the Hellenistic period, it consisted of a large rectangular stone-paved area with porticoes on four sides, Amathus

The nymphaeum and reservoir located north of the Agora dating to the Hellenistic period with major repairs done in 118 AD during the early reign of Hadrian, Amathus

The nymphaeum and reservoir located north of the Agora dating to the Hellenistic period with major repairs done in 118 CE during the early reign of Hadrian, Amathus

The base of the square fountain in the middle of the agora of Amathus which was fed by water from the main reservoir and nymphaeum, Amathus

The base of the square fountain in the middle of the agora of Amathus which was fed by water from the main reservoir and nymphaeum, Amathus

Aphrodite’s Cultural Route logo, Cyprus

Aphrodite’s Cultural Route logo, Cyprus

Amathous is part of the Aphrodite’s Cultural Route which focuses on the archaeological sites dedicated to the ancient cult of Aphrodite.

Archaeological Museums

You cannot leave Cyprus without visiting the island’s largest and best archaeological museum. The Cyprus Museum, located on Museum Street in central Nicosia, houses the most extensive collection of Cypriot antiquities in the world from the Neolithic Era (7000 BCE) to the end of Roman rule (395 CE). The museum consists of fourteen display halls organised in chronological order and by themes.

The Neo-Classical façade of the Cyprus Museum, Nicosia

The Neo-Classical façade of the Cyprus Museum, Nicosia

Among the highlights of the Cyprus Museum are the two thousand votive clay figurines that were found in situ in the sanctuary of Agia Irini on the northwest coast Cyprus. Dating back to the 7th and 6th centuries BCE, the figurines are displayed as they were found and depict priests with bull-masks, sphinxes, minotaurs, centaurs, bulls and warriors on chariots.

Agia Irini clay votive figurines, 7th - 6th centuy BC, Cyprus Museum, Nicosia

Agia Irini clay votive figurines, 7th – 6th centuy BCE, Cyprus Museum, Nicosia

Another highlight is the collection of five unique archaic sculptures found in 1997 in the royal necropolis at Telmessos. They represent three pairs of sculptures: two large lions (only one is exhibited as only half of the other one is preserved), two lions of smaller dimensions and two sphinxes.

Small lion, part of the unique archaic sculptures found in situ in the necropolis of Talmassos, one oversize lion, two lions of smaller dimensions and two sphinxes, 6th century AD, Cypro-Archaic II period, Cyprus Museum, Nicosia

Small lion, part of the unique archaic sculptures found in situ in the necropolis of Talmassos, 6th century BCE, Cypro-Archaic II period, Cyprus Museum, Nicosia

Also look out for the bronze statuettes from Enkomi, the Roman sculptures from Salamis, the bronze statue of the emperor Septimius Severus as well as the famous marble statue of Aphrodite from Soli which has become a popular symbol of Cyprus.

Sculptures from the Gymnasium of Salamis, 2nd century AD, Cyprus Museum, Nicosia

Sculptures from the Gymnasium of Salamis, 2nd century CE, Cyprus Museum, Nicosia

Hall of the sculptures, Cyprus Museum, Nicosia

Hall of the sculptures, Cyprus Museum, Nicosia

There are also district museums in the four principal towns (Famagusta, Limassol, Paphos and Larnaca) as well as local museums near the main archaeological sites (Kourion, Salamis, Palaepaphos).

Sources:

  • Karageorghis, V., Salamis in Cyprus: Homeric, Hellenistic and Roman (Thames & Hudson, 1970)
  • Daszewski, W.A. and Michaelides, D., Guide to the Paphos Mosaics (Bank of Cyprus Cultural Foundation, Nicosia, 2009)
  • Hadjisavvas, S., Digging up the tombs of the kings. A world Heritage site (Napaphos Publishers, 2014)
  • Karageorghis V., The Cyprus Museum (EP Epiphaniou Publications, 1989)
Filed under: Photos, Travel

by

Avatar

Carole Raddato's favourite hobby is travelling and for the last 8 years she has taken a huge interest in the history of the ancient world. She has dedicated all her free time to this passion. She loves to share with other history fans all the incredible facts and stories that she discovers throughout her journeys. She is neither a professional photographer nor an ancient history scholar, but she hopes that everybody can enjoy her photos. She is particularly interested in everything related to the emperor Hadrian whom she finds fascinating. He was himself an incessant traveller, visiting every province in the Empire during his reign. When Carole is looking for new ideas for her travels, she usually takes inspiration from his journeys and it is a great motivation for her to follow him in his footsteps.