Ivory, with its ease of carving and exotic rarity, has been used to make art objects for millennia. True ivory actually refers to only the dentine of elephant tusks but it may also refer to the tusks and teeth of walrus, hippopotamus, narwhal and sperm whales, amongst others. The ancient world acquired its ivory either directly or through trade with Africa and India via the Levant, as attested by the Bronze Age Ulu Burun shipwreck which had ivory as part of its cargo. In the modern day ivory is, of course, a strictly controlled commodity and its trade and use are illegal if taken from endangered species. In the ancient world, though, ivory could be carved alone or added to metals or wood and used as inlay. The Egyptians buried ivory objects with the dead, the Greeks used it for giant statues such as the Parthenon Athena, and the Romans even burnt it at funerals. Below are just some of the objects made from this precious and fragile material which have survived the centuries.
From the dawn of civilization to the present day, human hair has seldom been worn in its natural state. Whether cut, shorn, curled, straightened, braided, beaded, worn in an upsweep or down to the knees, adorned with pins, combs, bows, garlands, extensions, and other accoutrements, hairstyles had the power to reflect societal norms. In antiquity, ancient hairstyles and their depictions did not only delineate wealth and social status, or divine and mythological iconography; they were also tied to rites of passage and religious rituals. Hair in the Classical World, now on view at the Bellarmine Museum of Art (BMA) in Fairfield CT, is the first exhibition of its kind in the United States to present some 33 objects pertaining to hair from the Bronze Age to Late Antiquity (1500 BCE-600 CE). The exhibition takes the visitor on a rich cultural journey through ancient Greece, Cyprus, and Rome, in an examination of ancient hairstyles through three thematic lenses: “Arrangement and Adornment”; “Rituals and Rites of Passage”; and “Divine and Royal Iconography.” In this exclusive 2015 holiday season …
“Dubai tries so hard to promote this image of an ultra-modern city that they almost seem to suppress its past.” Dubai is a city that elicits sharp opinions. While its shopping malls, glittering lights, luxury hotels and villas, and iconic futuristic architecture continue to attract large numbers of tourists and business investors, many others simply avoid Dubai, convinced that it is nothing more than yet another mirage in the vast Arabian desert. In this exclusive interview with James Blake Wiener of Ancient History Encyclopedia (AHE), Dr. David Millar, author of Beyond Dubai: Seeking Lost Cities in the Emirates, discusses why he wrote a book about the United Arab Emirates’ ancient, hidden treasures and where one can find them.
The urge to find a single explanation as the cause for such calamitous events seems to come from a modern human need for an easy explanation as often as possible. The decline of the Late Bronze Age civilizations of the Mediterranean and Near East has puzzled historians and archaeologists for centuries. While many have ascribed the collapse of several civilizations to the enigmatic Sea Peoples, Professor Eric H. Cline, former Chair of the Department of Classical and Near Eastern Languages and Civilizations at George Washington University, presents a more complicated and nuanced scenario in his new book, 1177 BC: The Year Civilization Collapsed. Professor Eric H. Cline speaks to Ancient History Encyclopedia’s James Blake Wiener about his new title and the circumstances that lead to the collapse of the cosmopolitan world of the Late Bronze Age in this interview.
One of the most important discoveries in marine archaeological history occurred in 1998, just off Indonesia’s Belitung Island in the western Java Sea: A 1,200-year-old Arabian dhow with an astounding cargo of gold, silver, ceramic artifacts, coins, and tangible personal effects. The ship’s hold contained some 57,000 pieces in total and yet no human remains. The Lost Dhow: A Discovery from the Maritime Silk Route, now on show at the newly opened Aga Khan Museum in Toronto, Canada, explores the movement of cross-cultural exchange, trade, and technology between the Abbasid Caliphate (750-1258 CE) and Tang dynasty China (618-907 CE) through the prism of an ancient shipwreck.In this exclusive interview, James Blake Wiener of Ancient History Encyclopedia (AHE) speaks to Mr. John Vollmer, Guest Curator for the Aga Khan Museum’s presentation of this exhibition, about the importance of the objects in this exhibition and what the exhibition means to the recently opened museum.
China’s Tang dynasty golden age is routinely described as one of the most brilliant eras in Chinese history. Under Tang rule and leadership, China became the wealthiest, most populous, and most sophisticated civilization on earth. While exerting political hegemony and a powerful cultural influence across East Asia, China was also open to influences from its Turkic and Indian neighbors. In this exclusive holiday interview, James Blake Wiener of Ancient History Encyclopedia speaks to Dr. Jonathan Skaff, Professor of History at Shippensburg University of Pennsylvania and expert on Chinese-Turkic relations during the Tang era, who reevaluates Chinese culture and politics during an age of commercial trade, technological innovation, and ultimately, political instability.
Located at the intersection of long distance trade between East Africa, the ancient Near East, and the classical world, ancient Nubia was Egypt’s rich and powerful neighbor to the South. Successive Nubian cultures dominated what is modern-day Sudan and southern Egypt for over two millennia, developing in turn a distinctive set of cultural aesthetics and an impressive level of craftsmanship. Gold and the Gods: Jewels of Ancient Nubia, a new exhibition at the Museum of Fine Arts, Boston, entices visitors with 95 items on display, including jewels, gems, and exquisite artifacts of personal adornment.