Filled with ancient, simplified recipes as well as photographs and essays, Samarkand: Recipes & Stories from Central Asia and the Caucasus, written by journalists Caroline Eden and Eleanor Ford, is a love letter to the region and the peoples who left their imprint on its varied cuisine: Turks, Jews, Georgians, Armenians, Azeris, Persians, Afghans, Uzbeks, Kazakhs, Tajiks, Kyrgyz, and Uighurs. In this exclusive interview, James Blake Wiener of Ancient History Encyclopedia (AHE) speaks to the authors about their new, evocative cookbook.
The Israel Museum in Jerusalem is giving the public an unprecedented opportunity to explore ancient Egyptian relations with Canaan during the second millennium BCE in Pharaoh in Canaan: The Untold Story. This exhibition presents more than 680 objects, which reflect the rich cross-fertilization of ritual practices and aesthetic vocabularies between these two distinct cultures. In this exclusive interview, James Blake Wiener of Ancient History Encyclopedia (AHE) discusses the exhibition and the countless ties that bound ancient Egypt to Canaan with Dr. Eran Arie, Curator of Iron Age and Persian Period Archaeology at the Israel Museum.
Enjoying a privileged and bucolic position on the eastern slopes of Mount Olympus, the ancient Greek city of Dion prospered for thousands of years as a sacred center for the cult of Zeus and as the gateway to Macedonia. Gods and Mortals at Olympus: Ancient Dion, City of Zeus, now on show at the Onassis Cultural Center in New York, N.Y., examines the development and trajectory of Dion, from a small rural settlement to a thriving Roman colony, through the presentation of remarkable archaeological artifacts not seen outside of Greece. In this exclusive interview, James Blake Wiener of Ancient History Encyclopedia speaks to Dr. Dimitrios Pandermalis about this exhibition and Dion’s importance in the wider Greco-Roman world.
Ivory, with its ease of carving and exotic rarity, has been used to make art objects for millennia. True ivory actually refers to only the dentine of elephant tusks but it may also refer to the tusks and teeth of walrus, hippopotamus, narwhal and sperm whales, amongst others. The ancient world acquired its ivory either directly or through trade with Africa and India via the Levant, as attested by the Bronze Age Ulu Burun shipwreck which had ivory as part of its cargo. In the modern day ivory is, of course, a strictly controlled commodity and its trade and use are illegal if taken from endangered species. In the ancient world, though, ivory could be carved alone or added to metals or wood and used as inlay. The Egyptians buried ivory objects with the dead, the Greeks used it for giant statues such as the Parthenon Athena, and the Romans even burnt it at funerals. Below are just some of the objects made from this precious and fragile material which have survived the centuries.
From the dawn of civilization to the present day, human hair has seldom been worn in its natural state. Whether cut, shorn, curled, straightened, braided, beaded, worn in an upsweep or down to the knees, adorned with pins, combs, bows, garlands, extensions, and other accoutrements, hairstyles had the power to reflect societal norms. In antiquity, ancient hairstyles and their depictions did not only delineate wealth and social status, or divine and mythological iconography; they were also tied to rites of passage and religious rituals. Hair in the Classical World, now on view at the Bellarmine Museum of Art (BMA) in Fairfield CT, is the first exhibition of its kind in the United States to present some 33 objects pertaining to hair from the Bronze Age to Late Antiquity (1500 BCE-600 CE). The exhibition takes the visitor on a rich cultural journey through ancient Greece, Cyprus, and Rome, in an examination of ancient hairstyles through three thematic lenses: “Arrangement and Adornment”; “Rituals and Rites of Passage”; and “Divine and Royal Iconography.” In this exclusive 2015 holiday season …
“Dubai tries so hard to promote this image of an ultra-modern city that they almost seem to suppress its past.” Dubai is a city that elicits sharp opinions. While its shopping malls, glittering lights, luxury hotels and villas, and iconic futuristic architecture continue to attract large numbers of tourists and business investors, many others simply avoid Dubai, convinced that it is nothing more than yet another mirage in the vast Arabian desert. In this exclusive interview with James Blake Wiener of Ancient History Encyclopedia (AHE), Dr. David Millar, author of Beyond Dubai: Seeking Lost Cities in the Emirates, discusses why he wrote a book about the United Arab Emirates’ ancient, hidden treasures and where one can find them.
The urge to find a single explanation as the cause for such calamitous events seems to come from a modern human need for an easy explanation as often as possible. The decline of the Late Bronze Age civilizations of the Mediterranean and Near East has puzzled historians and archaeologists for centuries. While many have ascribed the collapse of several civilizations to the enigmatic Sea Peoples, Professor Eric H. Cline, former Chair of the Department of Classical and Near Eastern Languages and Civilizations at George Washington University, presents a more complicated and nuanced scenario in his new book, 1177 BC: The Year Civilization Collapsed. Professor Eric H. Cline speaks to Ancient History Encyclopedia’s James Blake Wiener about his new title and the circumstances that lead to the collapse of the cosmopolitan world of the Late Bronze Age in this interview.