In an effort to share more of our favourite ancient objects from around the world, Ancient History Encyclopedia staff have taken a closer look at some really amazing objects or structures. Today’s Object in Focus is the Meroe Head of Augustus.
Last year, the Forum Antique de Bavay, located in northern France, hosted a small exhibition devoted to the book Mémoires d’Hadrien (Memoirs of Hadrian). The exhibition sheds light on the genesis of Mémoires d’Hadrien and presents archaeological objects and ancient texts. It provides insight into the meticulous work behind Marguerite Yourcenar’s historic novel, compiling postcards and photographs of works and places relating to her subject, studying all the ancient sources with a passionate and serious enthusiasm. On display are books, manuscripts, statuary, portrait busts, and coins, as well as different artefacts from the time of Hadrian and the Antonines. Fifty works are on loan from the Louvre, the British Museum, Hadrian’s Villa, the Museum Ingres in Montauban, the Gallo-Roman Museum of Lyon and the Musée Saint-Raymond in Toulouse. It is the first exhibition in France about Mémoires d’Hadrien.
When I heard the British Museum’s exhibition A History of the World in 100 Objects was coming to Canberra, Australia I could not stop smiling. Since its arrival, I have visited three times and plan more visits in the near future. In this post, I’m going to take you on a short tour of the exhibition, showing off my favourite objects.
Agrippina the Younger was the first empress of the Roman Empire, but almost no modern sources remember her as such. In fact, she is not often remembered at all. Unlike her predecessor, Augustus’s wife Livia, she has slipped out of history. Where she has left a mark it has been only as Claudius’s last wife and the mother of Nero. But Agrippina was so much more than simply the consort and mother of men. She was a powerful, public woman in her own right, as is abundantly clear in the ancient sources that record her life, who express boundless horror at her refusal to stay in her appropriate feminine place. Agrippina the Younger’s life is characterised by her arrogant refusal to adhere to these accepted standards of femininity and to take for herself the overt power that she thought she deserved.
Known the world over for their hauntingly beautiful cities of Petra and Mada’in Saleh and engineering acumen, the Nabataeans of ancient Arabia were the middlemen in the long distance trade between the ancient Mediterranean and South Arabia. Mysterious and beguiling, their legacy endures across time and space in the Arabic script and in the sophistication of their cities, carved out of the harsh desert landscape. In this exclusive interview, Dr. Laïla Nehmé, a senior research scientist at the French National Center for Scientific Research (CNRS) in Paris, speaks to James Blake Wiener of Ancient History Encyclopedia (AHE) about the creative genius of the Nabataeans.
It appears that I will not be the only one celebrating next year: the Archaeological Museum of Seville in southern Spain is planning to host an exhibition in 2017 to commemorate the 1900th anniversary of the accession of Hadrian to the imperial throne.
On a recent trip to southern Spain, I travelled along the Roman Baetica Route and visited many of the archaeological sites and museums that Andalusia has to offer. Among the plethora of ancient treasures to be found in the region, I was particularly impressed by the incredible mosaics I came across. The Roman Baetica Route is an ancient Roman road that passes through fourteen cities of the provinces of Seville, Cadiz, and Córdoba, which correspond to modern-day Andalusia. It runs through the most southern part of the Roman province of Hispania and includes territories also crossed by the Via Augusta. The route connected Hispalis (Seville) with Corduba (Córdoba) and Gades (Cádiz). The word Baetica comes from Baetis, the ancient name for the river Guadalquivir.