One of the most important discoveries in marine archaeological history occurred in 1998, just off Indonesia’s Belitung Island in the western Java Sea: A 1,200-year-old Arabian dhow with an astounding cargo of gold, silver, ceramic artifacts, coins, and tangible personal effects. The ship’s hold contained some 57,000 pieces in total and yet no human remains. The Lost Dhow: A Discovery from the Maritime Silk Route, now on show at the newly opened Aga Khan Museum in Toronto, Canada, explores the movement of cross-cultural exchange, trade, and technology between the Abbasid Caliphate (750-1258 CE) and Tang dynasty China (618-907 CE) through the prism of an ancient shipwreck.In this exclusive interview, James Blake Wiener of Ancient History Encyclopedia (AHE) speaks to Mr. John Vollmer, Guest Curator for the Aga Khan Museum’s presentation of this exhibition, about the importance of the objects in this exhibition and what the exhibition means to the recently opened museum.
When we hear the words “Anglo-Saxon literature,” Beowulf is probably the first thing that comes to mind. Then we might think of the beauty of illuminated manuscripts such as the Book of Durrow or the Lindisfarne Gospels. In this exclusive interview, James Blake Wiener talks with Professor Larry Swain of Bemidji State University about these works, as well as Norse and Irish influences on Anglo-Saxon literature and the significance of the Byzantines, Theodore and Hadrian, who came to Northumbria in the seventh century CE. Professor Swain recommends learning Old English in order to be able to read works in Old English, of course, but equally intriguing, to allow us to better express ourselves in modern English.
While much of Europe was consumed by social disarray in the centuries following the collapse of the Western Roman Empire in 476 CE, a remarkable golden age of scholasticism and artistic achievement began in Ireland. Untouched by centuries of Roman rule, Ireland retained an ancient cohesive society characterized by rural monastic settlements rather than urban centers. From c. 400-1000 CE — an era more popularly known as the “Age of Saints and Scholars” — Irish missionaries spread Christianity, bringing monastery schools to Scotland, England, France, the Netherlands, and Germany. In doing so, they also transmitted a new, effervescent style of art throughout western Europe: Insular art. In this exclusive interview, James Blake Wiener of Ancient History Encyclopedia (AHE) speaks to Dr. Dorothy Hoogland Verkerk, Associate Professor of Art History at University of North Carolina at Chapel Hill, about the astonishing history of Insular art.
In this special guest post, Ms. Susan Abernethy of The Freelance History Writer introduces Ancient History et cetera readers to the compelling life and achievements of St. Hilda of Whitby. Renown for her piety and learning, Hilda is one of the most appealing and yet elusive figures from the Early Middle Ages (or Late Antiquity). Thanks to her vigorous activities, Hilda’s religious and political influence ensured that northern England remained Christian, while many, including The Venerable Bede, attested to her reputation for intellectual brilliance. In 2014, we celebrate the 1400th anniversary of her birth. Whenever I hear the term the “Dark Ages” I cringe a little bit. This term has fallen out of use, but you still hear it occasionally. The more I’ve studied medieval history, the more I see this era of history wasn’t “dark” at all. There are some “rays of light” that appear to us, even with the non-existent to scant documentation we have. One of them is St. Hilda of Whitby (c. 614-680 CE).
In this exclusive interview, James Blake Wiener of Ancient History Encyclopedia speaks to Janos Gaspar, Lead Designer of Total War: Attila, about Creative Assembly’s newest historical video game. JW: What provided the impetus for Creative Assembly to make Total War: Attila? Why create a computer game about the Hunnic invasions of Europe (c. 370-469 CE) and the decline of the Roman Empire given the popularity of the Roman Total War series? JS: In Rome II, we told the story of Rome becoming the world’s first superpower — from its first steps outside of Italy to the major body of its conquests; from a small republic to a vast empire. This time, we jumped almost 400 years into the future — right to the brink of the so-called “Dark Ages” — in order to recreate the last moments of this glorious empire and the birth of the new Europe. One of the major catalysts for such profound change is Attila himself. Overall, we thought it would be a fascinating era to cover.
Mythologized and circumscribed for over 1500 years, the Merovingians were a powerful Frankish dynasty, which exercised control much of modern-day France, Germany, Switzerland, Austria, and the Low Countries. During the Early Middle Ages, the Merovingian kingdoms were arguably the most powerful and most important polities to emerge after the collapse of the Western Roman Empire, blending Gallo-Roman institutions with Germanic Frankish customs. Recent discoveries and new research in the field of mortuary archaeology — the study of how cultures treat the dead and what they believe about the afterlife — has renewed considerable interest in the Merovingians. In this feature interview, James Blake Wiener of the Ancient History Encyclopedia speaks to Dr. Bonnie Effros, a Professor of History at the University of Florida, about the ways in which the “archaeology of the dead” can help rewrite an important chapter in European history.