This marvelous piece from Hadrian’s Villa is a headless statue of Athena of the Vescovali-Arezzo Type and made of Luna marble.
In an effort to share more of our favourite ancient objects from around the world, each month Ancient History Encyclopedia staff are going to take a closer look at some really amazing objects or buildings. Today’s Object in Focus is the Antonine Wall.
About two thousand years ago, fifty thousand people filled the Colosseum in Rome to participate in one of the most fascinating and violent events to ever take place in the ancient world. Gladiator fights were the phenomenon of their day – a celebration of courage, endurance, bravery, and violence against a backdrop of fame, fortune, and social scrutiny. Today, over 6 million people flock every year to admire the Colosseum, but what took place within those ancient walls has long been a matter of both scholarly debate and general interest.
Every month, Ancient History Encyclopedia will share news about select museum exhibitions and events of interest to our global audience via AHetc. Exhibitions are arranged in alphabetical order by geographical location and region within this post: the Americas, United Kingdom, Europe/Middle East, and East Asia/Oceania. Here is a taste of what is on show at major museums around the world in May 2017:
“(Property of) the palace of Assurnasirpal (II), vice-regent of Assur, chosen of Enlil and Ninurta, beloved of Anu and Dagan, destructive weapon of the great gods, strong king, king of the universe, king of Assyria, son of Tukulti-Ninurta (II), great king, strong king, king of the universe,…” This is how Ashurnasirpal II, a harsh king, described himself at the beginning of his “Standard Inscription”, which was carved horizontally onto the North-West Palace’s wall reliefs at Nimrud. A real terror of the Middle East, Ashurnasirpal II decisively crushed any revolt, massacred defeated rebels, and even burned children and women after an uprising; heartless and merciless!
To mark Ancient History Encyclopedia’s latest international partnership with Humanidades Digitales CAICYT in Buenos Aires, Argentina, James Blake Wiener of Ancient History Encyclopedia (AHE) speaks to Dr. Gimena del Rio Riande, a researcher at the Seminario de Edicion y Crítica Textual (SECRIT-IIBICRIT) of the National Scientific and Technical Research Council (CONICET), about the state of the digital humanities in Argentina, in addition the potential implications and promise of digital research in the Hispanosphere and wider world alike. JW: Dr. Gimena del Rio Riande, thank you for speaking with me and welcome to AHE. What is the state of the “digital humanities” in Argentina and Latin America? What specific challenges are encountered in the region, and what can researchers abroad do to assist? GDRR: Every time someone asks me this question, the first thing I do is to say that the “digital humanities” or “DH” is not the same as the humanidades digitales or “HD” in Spanish. While the digital humanities is nowadays an expanding scientific field with a clear tradition in relation to the humanities, computing, computational linguistics, …
When you enter Room 7 of the British Museum, after passing through two colossal lamassus, you are taken through time to the North-West Palace of the Assyrian King Ashurnasirpal II (883-859 BCE). This is the imperial palace of the King in Nimrud (ancient Kalhu or Biblical Calah; Mesopotamia, modern-day Iraq), the capital city at the heart of the Assyrian Empire. Room 7 is a long hall “decorated” with alabaster-bas wall reliefs from that palace. After being neglected for more than 2500 years, British archaeologist Sir Henry Layard and his workmen unearthed the remains of the North-West Palace in 1845. Layard shipped many reliefs on the Apprentice and these large and heavy slabs reached the British Museum in January 1849. I will publish a series of articles about these reliefs, addressing their finer details, which are not easily recognised.