When you visit the Sunken Cities exhibition at the British Museum, you feel as if you are diving beneath the waters of the Nile River. You pass through a corridor illuminated by blue light and into galleries painted in a navy blue. There are dappled lighting effects to imitate water – it’s a wonder they don’t hand out snorkels to complete the illusion. The idea works, however, and you feel just like the archaeologists whose work has formed the basis for this display. It is as if you are discovering a world that has been hidden for more than a thousand years.
Known the world over for their hauntingly beautiful cities of Petra and Mada’in Saleh and engineering acumen, the Nabataeans of ancient Arabia were the middlemen in the long distance trade between the ancient Mediterranean and South Arabia. Mysterious and beguiling, their legacy endures across time and space in the Arabic script and in the sophistication of their cities, carved out of the harsh desert landscape. In this exclusive interview, Dr. Laïla Nehmé, a senior research scientist at the French National Center for Scientific Research (CNRS) in Paris, speaks to James Blake Wiener of Ancient History Encyclopedia (AHE) about the creative genius of the Nabataeans.
In 1821 ten paintings were purchased from Mr. Henry Salt (1780-1827) and arrived at the British Museum. The eleventh painting was acquired in 1823. Each painting appeared to have been mounted with a slightly different support material. Finger marks and hand prints on the backs of many of the paintings suggest that the paintings were laid face down onto a surface and that a thickened slurry-mix of plaster was applied to the back of the mud straw. All these paintings have undergone extensive conservation. In 1835, the paintings were put on display to the public within the “Egyptian Saloon” (now the Egyptian Sculpture Gallery) at the British Museum. They were then given the inventory display numbers (nos. 169-70, 171-81). However, at the beginning of the 20th century they were given their current inventory numbers of EA37976-86. There is little indication that they originally came from the same tomb-chapel.
The world contains numerous cultures, traditions, cuisines and languages that make excellent destinations for any history buff. The featured countries’ rich history and heritage evoke images of the days gone by and lure hundreds of tourists to taste their interesting cultures. Get a Taste of Italian Culture Known for its rich art and architecture, Italy has inspired the architecture of many Western nations. Be it Michelangelo’s statue of David or Leonardo da Vinci’s eternal portrait of the Mona Lisa, these artworks are beyond excellence and people from across the world still stand in large queues to glimpse these masterpieces. Some of the world’s famous structures like the Leaning Tower of Pisa, Colosseum and Sistine Chapel call Italy their home. It’s not just the art and architecture that attracts thousands of tourists to this beautiful country — it’s also a love for traditional Italian music and dance. Hordes of music lovers, singers, and musicians gather from different corners of the world to be part of country’s rich heritage. You will be amazed to know that today’s world-famous opera has …
When you think of ancient civilizations, what comes to mind? Perhaps you imagine massive pyramids, majestic statues, or vast reliefs carved from stone. This is no coincidence – after all, they are what we see in both museums and ruins today. Stone and other materials such as bone are durable, allowing them to last to the present day and become embedded in the public consciousness at sites such as the Parthenon and the Roman Forum. But what about all of the objects that have been lost to time?
During my last visit to London, I resided in a hotel at Gower Street of Bloomsbury. By chance, I discovered a hidden gem within the heart of University College London while surfing Google. It was located just few minutes away from me: the Petrie Museum of Egyptian Archaeology. The Museum lies at Malet Place, hidden away from the main streets. The Museum’s building and façade do not convey any message to the public that this is one of the most important museums in the world, housing more than 80,000 ancient Egyptian objects and artifacts! Actually, it ranks fourth, after the Cairo Museum, the British Museum, and the Egyptian Museum of Berlin in terms of the number of quality of ancient Egyptian objects. I emailed the Museum, requesting permission to take no-flash photos of the objects. Ms. Maria Ragan, the manager of the Museum, kindly replied and granted me permission. OK, let’s go!
While Hadrian was visiting the province of Egypt in late 130 AD, his favorite Antinous drowned mysteriously in the Nile River. This tragic event led to the creation of a new divinity: Osirantinous, or Antinous as a manifestation of Osiris, the god who died and was reborn. One of our best primary sources for information about the new deity Osirantinous and the founding of Antinopolis, the new city created by Hadrian near the spot of Antinous’ death, is the Obelisk of Antinous, found in Rome outside Porta Maggiore at the end of the 16th century. The Aswan pink granite obelisk, which now stands in the Pincian Hill Gardens, was commissioned by Hadrian after 130 AD to honour the deceased Antinous.