“(Property of) the palace of Assurnasirpal (II), vice-regent of Assur, chosen of Enlil and Ninurta, beloved of Anu and Dagan, destructive weapon of the great gods, strong king, king of the universe, king of Assyria, son of Tukulti-Ninurta (II), great king, strong king, king of the universe,…” This is how Ashurnasirpal II, a harsh king, described himself at the beginning of his “Standard Inscription”, which was carved horizontally onto the North-West Palace’s wall reliefs at Nimrud. A real terror of the Middle East, Ashurnasirpal II decisively crushed any revolt, massacred defeated rebels, and even burned children and women after an uprising; heartless and merciless!
Most, if not all, of our readership knows about the intentional destruction of ancient artifacts, buildings, mosques, shrines, and the contents of Mosul museum contents by the so-called Islamic State of Iraq and Syria (ISIS). The Governorate of Mosul in Iraq is the site of several ancient Assyrian cities (Nimrud, Kouyunjik, and Dur-Sharrukin), in addition to Hatra. The 3,000 year old ancient city of Kalhu (modern-day Nimrud; Biblical Calah) received the bulk of the blow, and a propaganda video issued by ISIS in April 2015 showed the dramatic and shocking explosion of the northwest palace of the Assyrian king Ashurnasirpal II. The in situ artifacts of Nimrud were composed of palace wall reliefs, mainly from the northwest palace of Ashurnasirpal II,and few lamassu, which are mythical human-headed and winged bulls or lions. Thanks to the great work and excavations conducted by archaeologists from many parts of the world, in addition to Iraqis, artifacts from the Assyrian city of Nimrud are now displayed to the public in many museums and private collections all around the globe.
I was attending a neurology event in Erbil (the ancient city of Arbela also known as Hawler in Kurdish), which is the capital city of Iraqi Kurdistan. The last time I had visited the Erbil Civilization Museum (Kurdish: موزه خانه ي شاره ستاني هه ولير ; Arabic: متحف أربيل الحضاري) was in September 2014. In comparison to the Sulaymaniyah Museum (the other archaeological museum in Iraqi Kurdistan), this museum is much smaller in terms of size and number of displayed antiquities. However, it has a considerable collection of interesting artifacts to view. The following is a tour of some of the museum’s highlights, which are little-known outside of Iraq.
I was attending an event at the Royal College of Physicians of London in early March 2016, and I had a plenty of time to spare. One of my targets was, of course, the British Museum. Two years ago, Jan van der Crabben (founder and CEO of the Ancient History Encyclopedia) asked me to draft a blog article about the Black Obelisk of Shalmaneser III, but I lacked detailed and high-quality images of all aspects of the obelisk. Nowadays, I’m equipped with a Nikon D750 full-frame camera and incredible lenses. So let’s spend some time looking at the obelisk and enjoy its wonderful artistic scenes. The obelisk lies at the heart of Room 6 of the Ground Floor. The overall surrounding lighting is unfortunately scarce, but who cares, my camera can overcome this very easily! Remember, no “flash” photography is allowed.
Whoever was privileged to gain access to the North Palace of the Assyrian king Ashurbanipal at Nineveh, could consider himself part of something timeless. Thanks to the great work of Hormuzd Rassam (1826-1910), who unveiled a large number of alabaster bas-reliefs, which once decorated the walls of that king’s Palace (built around 645 BCE); the Assyrian lion-hunting scenes! These extraordinary carvings, so dynamic and full of movements, are so realistic and so accomplished and are some of the most remarkable ancient artifacts ever found. They were discovered by Rassam in the year 1853 and have been housed in the British Museum since 1856. Rassam stated in his autobiography that “one division of the workmen, after 3-4 hours of hard labor, were rewarded by the grand discovery of a beautiful bas-relief in a perfect state of preservation”. Rassam ordered his men to dig a large hole in the mound; after more than 2,000 years, the remains of a royal palace were found. The mud-bricks had disappeared, of course, completely but the reliefs themselves, which once decorated them, …
Today we have another contribution from Timeless Travels Magazine in which Dr Christine Winzor writes about the colossal stone heads at Nemrut Dağ, Turkey. The colossal stone heads at Nemrut Dağ, with their distinctive array of crowns and caps, are among the most iconic images of Turkey. Many guidebooks and tour agencies stress the importance of visiting this monument – sometimes referred to as the Throne of the Gods – at either sunrise or sunset to appreciate fully the spectacular illumination and reflection of the sun’s rays on the sculptures and tumulus. Others specifically advise against visiting at these times on the grounds that inevitably you will share this impressive event with a large crowd of other spectators, thereby spoiling the sense of majestic isolation.
The urge to find a single explanation as the cause for such calamitous events seems to come from a modern human need for an easy explanation as often as possible. The decline of the Late Bronze Age civilizations of the Mediterranean and Near East has puzzled historians and archaeologists for centuries. While many have ascribed the collapse of several civilizations to the enigmatic Sea Peoples, Professor Eric H. Cline, former Chair of the Department of Classical and Near Eastern Languages and Civilizations at George Washington University, presents a more complicated and nuanced scenario in his new book, 1177 BC: The Year Civilization Collapsed. Professor Eric H. Cline speaks to Ancient History Encyclopedia’s James Blake Wiener about his new title and the circumstances that lead to the collapse of the cosmopolitan world of the Late Bronze Age in this interview.