Today we have another contribution from Timeless Travels Magazine in which Dr Christine Winzor writes about the colossal stone heads at Nemrut Dağ, Turkey.
Head of Zeus Ahuramazda with head of Antiochus I behind. Photo © Alkans Tours, Nicholas Kropacek
The colossal stone heads at Nemrut Dağ, with their distinctive array of crowns and caps, are among the most iconic images of Turkey. Many guidebooks and tour agencies stress the importance of visiting this monument – sometimes referred to as the Throne of the Gods – at either sunrise or sunset to appreciate fully the spectacular illumination and reflection of the sun’s rays on the sculptures and tumulus. Others specifically advise against visiting at these times on the grounds that inevitably you will share this impressive event with a large crowd of other spectators, thereby spoiling the sense of majestic isolation.
“Fire of Troy” by Kerstiaen de Keuninck (1560-1632 AD). Oil on panel, last third of the 16th century CE (?). H. 58.3 cm (23 in), W. 84.8 cm (33 in). Public domain.
The decline of the Late Bronze Age civilizations of the Mediterranean and Near East has puzzled historians and archaeologists for centuries. While many have ascribed the collapse of several civilizations to the enigmatic Sea Peoples, Professor Eric H. Cline, former Chair of the Department of Classical and Near Eastern Languages and Civilizations at George Washington University, presents a more complicated and nuanced scenario in his new book, 1177 BC: The Year Civilization Collapsed.
Professor Eric H. Cline speaks to Ancient History Encyclopedia’s James Blake Wiener about his new title and the circumstances that lead to the collapse of the cosmopolitan world of the Late Bronze Age in this interview.
This is a cross-posting from the blog Gates of Nineveh. Part 1 and Part 2 of the original posts can be found there.
Last week ISIS released yet another propaganda video, showing what has been feared since the fall of Mosul last summer: the destruction of ancient artifacts of the Mosul Museum. By now most of the world has seen this video, which has been featured in all the world’s major news agencies. This post will attempt to identify what has been lost and assess the damage.
Narrator stands in front of a lamassu in an ISIS propaganda video.
As in several of the group’s past videos, a spokesman for the group appears in the video to explain the rationale for the destruction. International Business Times has provided a translation:
These ruins that are behind me, they are idols and statues that people in the past used to worship instead of Allah. The so-called Assyrians and Akkadians and others looked to gods for war, agriculture and rain to whom they offered sacrifices…The Prophet Mohammed took down idols with his bare hands when he went into Mecca. We were ordered by our prophet to take down idols and destroy them, and the companions of the prophet did this after this time, when they conquered countries.
The video then shows a montage of ISIS fighters toppling sculptures, smashing them with sledgehammers and using jackhammers to pulverize the faces of some statues.
Most of the destroyed artifacts fall into two categories: Sculptures from the Roman period city of Hatra, situated in the desert to the south of Mosul, and Assyrian artifacts from Nineveh and surrounding sites such as Khorsabad and Balawat.
Three successive civilizations — Sumerian, Babylonian, and Assyrian — flourished along the “Fertile Crescent” in ancient Mesopotamia for thousands of years. Renown for their creativity, dynamism, and complexity, these cultures also provide the earliest models of civilization in the West. This fall, the Royal Ontario Museum (ROM) in Toronto, Canada is celebrating the remarkable achievements and artistic sophistication of ancient Mesopotamia in a landmark exhibition: Mesopotamia: Inventing Our World.
In this interview, James Blake Wiener of the Ancient History Encyclopedia speaks to Dr. Clemens Reichel, Associate Curator at the ROM, about the importance of these civilizations, and of how we can better assess and understand their legacy in modern times.