Last month, I had the chance to visit a hidden gem among Madrid’s better-known museums: Museo de América (English: Museum of the Americas). Filled with thousands of pre-Columbian artifacts, treasures, and works of art, the Museo de América explores the languages, religions, and cultures of the Americas — from the Arctic Circle to Tierra del Fuego — as well as their interactions with imperial Spain.
Hadrian and his travels have often served as the guiding thread for my own travels. However, my recent trip to Turkey had a different focus, the Hittite civilization, with one of the highlights being a visit to the Museum of Anatolian Civilizations in Ankara. After dazzling at the magnificent artifacts on display on the main floor of the museum, I discovered that there was also a section dedicated to the Roman period in Ancyra which featured, to my big surprise, parts of a statue of the Roman Emperor Hadrian.
The Six Dynasties period from the third to sixth centuries CE was one of the most dynamic periods in Chinese art history, akin to the European Renaissance in the impact it had on artistic creativity and the celebration of individual expression. Art in a Time of Chaos: Masterworks from Six Dynasties China, 3rd-6th Centuries, now on show at the China Institute in New York, New York, situates these innovations and achievements from both the Southern and Northern Dynasties across four major disciplines: Ceramics, sculpture, calligraphy, and painting. In this exclusive interview, James Blake Wiener of Ancient History Encyclopedia (AHE) speaks to Ms. Willow Weilan Hai, Director of the China Institute Gallery, about the exhibition.
Sparta was one of the most important cities in ancient Greece, and the stories of its heroic warriors continue to be retold through modern films and stories. However, the popular image of Sparta propagates a version of Sparta, our version of Sparta, and this is often quite removed from the ancient sources and idealised. As such, this post includes some interesting facts (and theories) about ancient Sparta that you might not know, enjoy!
When you visit the Sunken Cities exhibition at the British Museum, you feel as if you are diving beneath the waters of the Nile River. You pass through a corridor illuminated by blue light and into galleries painted in a navy blue. There are dappled lighting effects to imitate water – it’s a wonder they don’t hand out snorkels to complete the illusion. The idea works, however, and you feel just like the archaeologists whose work has formed the basis for this display. It is as if you are discovering a world that has been hidden for more than a thousand years.
Most, if not all, of our readership knows about the intentional destruction of ancient artifacts, buildings, mosques, shrines, and the contents of Mosul museum contents by the so-called Islamic State of Iraq and Syria (ISIS). The Governorate of Mosul in Iraq is the site of several ancient Assyrian cities (Nimrud, Kouyunjik, and Dur-Sharrukin), in addition to Hatra. The 3,000 year old ancient city of Kalhu (modern-day Nimrud; Biblical Calah) received the bulk of the blow, and a propaganda video issued by ISIS in April 2015 showed the dramatic and shocking explosion of the northwest palace of the Assyrian king Ashurnasirpal II. The in situ artifacts of Nimrud were composed of palace wall reliefs, mainly from the northwest palace of Ashurnasirpal II,and few lamassu, which are mythical human-headed and winged bulls or lions. Thanks to the great work and excavations conducted by archaeologists from many parts of the world, in addition to Iraqis, artifacts from the Assyrian city of Nimrud are now displayed to the public in many museums and private collections all around the globe.
I was attending a neurology event in Erbil (the ancient city of Arbela also known as Hawler in Kurdish), which is the capital city of Iraqi Kurdistan. The last time I had visited the Erbil Civilization Museum (Kurdish: موزه خانه ي شاره ستاني هه ولير ; Arabic: متحف أربيل الحضاري) was in September 2014. In comparison to the Sulaymaniyah Museum (the other archaeological museum in Iraqi Kurdistan), this museum is much smaller in terms of size and number of displayed antiquities. However, it has a considerable collection of interesting artifacts to view. The following is a tour of some of the museum’s highlights, which are little-known outside of Iraq.