Jan van der Crabben, CEO & Founder of Ancient History Encyclopedia (AHE), recently sat down with Nick Brown, a teacher of archaeology and now novelist, to discuss his latest title: The Wooden Walls of Thermopylae. Brown’s book is a work historical fiction centred on the battle of Thermopylae, as told from the perspective of a foot soldier. AHE: Mr. Nick Brown, thank you for granting AHE this interview. In a few sentences, what is the basic plot of The Wooden Walls of Thermopylae ? NB: Wooden Walls follows on from Luck Bringer and is a research-based novel. I wanted to fill in the gaps with evidence based conjecture to flesh out a great narrative. The Athenians have won their battle at Marathon and Athens is a city seething with fear and treachery as it awaits the revenge of Xerxes, king of the Persian Achaemenid Empire. It tells the story of the desperate alliance between Sparta and Athens, and how it led to Thermopylae and the destruction of the city of Athens. It also gives a flavour of the …
I was taking photos in the main hall of the Sulaymaniyah Museum and came across a display case containing a small clay tablet. The description beside it said the tablet was part of the Epic of Gilgamesh and a fragment of tablet V. Immediately I thought it was a ‘replica’ as the description was superficial. It did not say the tablet was genuine, that it was newly discovered or even told about the many new pieces of information it had revealed. After the US-led invasion of Iraq and the dramatic looting of Iraqi and other museums, the Sulaymaniyah Museum (directed by the council of ministers of Iraqi Kurdistan) started an initiative. They paid smugglers to ‘intercept’ archeological artifacts on their journey to other countries. No questions were asked about who was selling the piece or where it came from. The Sulaymaniyah Museum believed this condition kept smugglers from selling their merchandise to other buyers, as they would have otherwise done so ‘with ease and without any legal consequences.’
Today we have another contribution from Timeless Travels Magazine in which Joshua Mark writes about his visit to Poulnabrone, Ireland. The Neolithic Age is a quiet time for the history enthusiast. There are no great epics, no legends, not even king’s lists but only the moss covered sites, standing stones, sometimes with enigmatic carvings, and sombre, stone monuments. These sites do have their stories however, whispered in soft tones, and if one listens carefully one can sense their stories in the presence of the past. Poulnabrone, a dolmen in the region known as the Burren in County Clare, Ireland, is one such site. In January of 2015 I visited Poulnabrone with my wife, Betsy. It was a cold day with a strong wind coming down from the highlands across the strange, cratered, rock slabs which make up the Burren.
Hello Ancient History enthusiasts! Over the last two years I have been doing some investigating and today I will share with you my efforts. This post contains a collection of free ancient history courses you can find on the web. I believe it is important to learn and always expand our knowledge. Not only is it exciting to learn a new area of study but being so informed helps us to make better choices for our future, as they say in Battlestar Galactica, “all of this has happened before, and all of it will happen again.” Therefore, it is my hope that you find something of interest in this post.
Despite the popular appeal of the legendary city of El Dorado, our collective understanding of ancient Colombia’s history remains largely obscured by the advanced civilizations of Mesoamerica and the Andes. A new exhibition at the Los Angeles County Museum of Art (LACMA) in Los Angeles, CA, however, reveals that ancient Colombia’s past is far older and more diverse than is apparent in documents written by Spanish conquistadores. Drawing from LACMA’s impressive collection of ancient Colombian artifacts, Ancient Colombia: A Journey through the Cauca Valley offers fresh perspectives on the material culture and indigenous history of Colombia’s native peoples. In this interview, James Blake Wiener of Ancient History Encyclopedia (AHE) speaks to Dr. Julia Burtenshaw-Zumstein, a Post-Doctoral Curatorial Fellow in LACMA’s Art of the Ancient Americas department, about this exciting new exhibition, which juxtaposes colonial Spanish documents with recent archaeological finds.
Located at the crossroads of many ancient civilizations, Turkey is a haven for archaeology lovers. Over the centuries, a succession of empires and kingdoms – Hittite, Lydian, Persian, Greek, Roman, Byzantine and, finally, Ottoman – ruled over Anatolia. The country’s unique cultural legacy, its remarkably beautiful landscape as well as the friendliness of its people make visiting Turkey a rewarding experience. The country is scattered with so many archaeological wonders that each visit always seems too short. I have myself come back several times discovering one fascinating place after another. Having visited most of the great classical sites in western Turkey, I invite you to discover the ancient treasures of Caria, a region of considerable historical importance and geographical diversity. Some sites, such as the coastal city of Miletus and the oracular sanctuary of Didyma are already familiar to the modern visitor. Other lesser-known ancient cities that are no less spectacular are to be found inland, in relatively remote areas. Caria is the name given during ancient times to the south western region of Anatolia’s …
The triumphal arch was a type of Roman architectural monument built all over the empire to commemorate military triumphs and other significant events such as the accession of a new emperor. Arches were often erected over major thoroughfares and as the structure had no practical function as a building it was often richly decorated with architectural details, sculpture and commemorative inscriptions, typically using bronze letters. The city of Rome has four outstanding examples of these lasting testaments to Roman vanity. Arch of Constantine I, 315 CE The Arch of Constantine I, erected in c. 315 CE, stands in Rome and commemorates Roman Emperor Constantine’s victory over the Roman tyrant Maxentius on 28th October 312 CE at the battle of Milvian Bridge in Rome. It is the largest surviving Roman triumphal arch and the last great monument of Imperial Rome. The arch is also a tour de force of political propaganda, presenting Constantine as a living continuation of the most successful Roman emperors, renowned for their military victories and good government.